Showing posts with label Pictoplasma. Show all posts
Showing posts with label Pictoplasma. Show all posts

Tuesday, 8 May 2018

Weekly Reflection - 08/05/18


I have not long returned from my trip to Berlin to visit the Pictoplasma Festival 2018!

It has been an amazing week experiencing the colourful and gorgeous city of Berlin, going around the character walk and speaking to much admired artists. Because I have seen and done so much in the space of a week I have decided to summarise each day in to paragraphs to make it easier.

01/05/18 - Day One

On day one we all met up at the airport to get ready to fly out, because the flight was didn't arrive until after 10pm in Berlin there wasn't too much of a rush (until we were paying for our meals and running for our plane). 



When we arrived in Berlin, we went straight to the coach which took us to our hostel. This was just a settling-in night in comparison to what was to come so whilst uneventful in the way of art and illustration, there was plenty of excitement amongst the class and we had a sit-in night with a few drinks.

 


02/05/18 - Day Two

The second day was very informative and gave us all the chance to get-to-know the city, getting to know how the trains work, and being given free reign to wander without restrictions. I had fun being a tourist and getting to see all the attractions. 


After a little look around the city, we all met up to go to Urban Spree which exhibited artwork from contributing artists and had stalls where merch such as clothing and artist prints were up for sale. 

 

During the evening we attended the Pictoplasma Opening Party that had an array of different things to see, one of the highlights being the staredown room, a reference to the recent call for entries the Character Staredown. 


After a long and expensive day we made our way back to the hostel to prep for the following day.

03/05/18 - Day Three


On the third day myself and several others in my class were determined to go visit a local store known as The Dudes where everyone managed to get a hold on some high quality and gorgeously designed tees.

 

After our adventure to the Dudes Factory we decided to have a little chill time and doodle in a park whilst the sun was out.

 


04/05/18 - Day Four

On the fourth day myself and my class were on a mission to conclude this trip by going around the character walk in a day.

One of the first exhibitions we had a look at was Moomins. The Moomins are a family of white and roundish trolls with large snouts created by the illustrator, writer, and artist Tove Jansson (1914-2001). Keeping the heritage and the original Moomin artwork alive, one of the latest projects has been the animation feature film ‘Moomins on the Riviera,’ created by Xavier Picard in 2014 and based on the comic strips by Tove and her younger brother Lars. This exhibition showcases original pencil drawings and scenes from the experimental animated family comedy.


Next on our walk was Lunartik otherwise known as Matt Jones, a multi-media artist renown for his collectible series of ‘Lunartik in a Cup of Tea.’ Pop along for an eye-full of designer vinyl art toys and a chance to meet Matt himself, the man behind the cup! I was especially drawn to his Beatles figurines but could not coax myself in to buying one. 


And one of my favourite exhibitions was set just as you enter a graveyard on Verwalterhaus. Which displayed work from several artists such as Victor Castillo, a Chilean artist presents a series of new paintings created especially for the festival. They explore the laws of the jungle and the age-old story of ‘man eats man.’ Inspired by vintage animation, Castillo’s paintings are like theatrical sketches of tragicomic scenarios. With cartoon-like figures foregrounded against classical landscapes, Castillo’s baroque lighting completes the dramatic effect of exposing lost innocence.

Castillo has definitely been one of my far favourites out of the few we seen. His work inspired me on a whole other level and the setting of the exhibition was too perfect.


Within the same exhibit was the work of Moki, an artist and illustrator who blurs the lines between the mental and the physical, allowing for the creation of a series of unique spaces of sanctuary, protection and solace. A sophisticated painterly skill is employed to give a staggering degree of reality to her paintings, no matter how fantastical the content may be. However, more recently Moki has been veering away from unreality, instead drawing inspiration from the seemingly endless sources of concern for the well being of many of planet earth’s creatures, including much of humanity. In her new comic novel, ‘Swamp Land,’ the artist Moki tries to picture this complexity, weaving stories into one other, both mysterious and visionary. This exhibition further explores the cosmos of ‘Swamp Land.’



Next on our travels was another amazing exhibition at Neurotitan which displayed the work two of my favourite artists Kévin Gemin and James Curran as well as another two talented illustrators/animators Jim Stoten and Cachetejack. 

Although he goes by Kévin, he is very popularly known as Kéké. He is a 2D animator and illustrator and a big fan of animals, so much so that they inspre him to create stories and short animated GIFs to share happiness and fun. He animates with the application known as Flipnote Studio on a Nintendo handheld gaming system (such as 3DS and DSi) which has enabled him to teach himself how to animate and experiment with the pixel effects.

                                           Image result for kevin gemin pictoplasma

As a long time, loving fan of Kéké's I was very inspired to make little doodles along the way on our character walk so I made a simple little doodle page of all his characters that represent him. I was going to give it to him in person but unfortunately did not go to his conference as I couldn't afford the tickets. I decided to leave them at his exhibit for him but due to the restrictions on taking pictures in the exhibition I don't expect it to go very far.


My second favourite illustrator and animator is James Curran who made work towards his Gifathons. He spends 30 days in a different city making a short looping animation each day based on his experiences during his stay, from strip clubs, to tacos and toilets. For this first Gifathon exhibition, all 90 animations made in New York, Los Angeles, and Tokyo will be shown together along with a brand new mini-Gifathon on seven days spent in Berlin, created especially for Pictoplasma.

                           Image result for james curran pictoplasma neurotitan

In the same building was Jim Stoten, an artist and illustrator living in Hastings. He produces work for a long list of clients and pushes his creative boundaries in personal projects, exploring painting, animation, collage, and music.

                                          Image result for Jim stoten pictoplasma

And finally, to conclude our character walk was the work of Cachetejack, a Spanish illustrator duo presents a series of new gouache works on paper and silkscreen prints. Their illustration universe is full of colors, energy, humour and irony. The hand drawn work of Cachetejack takes a fresh and unique style working in a variety of mediums, including—but not limited to—books, magazines, newspapers, clothing, drawing, painting, walls and illustration. Cachetejack combines reality with a quirky point of view to create situations and environments closer to the viewer.

                                         Image result for cachetejack pictoplasma

After a long and tiresome day of walking around the city of Berlin, our class went for a final dinner together before a couple drinks and wind down.

05/05/18 - Day Five (The Last Day)

The last day was a very mellow and relaxed day, we were up early for breakfast and to clean out our rooms. We made an early trip to Babylon to pick up some very pretty merch and were even given free posters.

                              Image result for babylon pictoplasma

After our return from Babylon, all that was left was to wait around on our coach to the airport and hop on our flight. I found this to be the worst part of the trip as there was a lot of waiting to get out of a place I didn't wanted to leave. I absolutely love Berlin, it's been an amazing experience meeting all the amazing like-minded creatives visiting the festival from abroad and exhibiting. I am also incredibly lucky to have been surrounded by the amazing people residing in my class who were excellent company to have on my travels. I will definitely be back next year and look forward to seeing what's in store.


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Saturday, 14 April 2018

Work-Based Learning - Evaluation and SWOT

This unit has been very enjoyable and has given me amazing opportunities to work under several like-minded creatives in workshops that have since informed me about their experiences since leaving university and what I should expect when going in to the industry.

Over the last month or so I have been actively taking part in workshops and contributing to competitions hosted by Pictoplasma and the Cheltenham Illustration Awards, making pieces based on themes arranged by both sites. These competitions have been very open to artist interpretation and I have therefore had lots of freedom to come up with my own ideas for my entries based around the chosen theme.

For the workshops I took part in I had a very enjoyable time learning about the different backgrounds of some very talented artists. But when it came to actually writing up my summaries and getting something out of the workshops I found that there was a certain laziness about it.

For the zine workshop - I failed to take pictures and to present the step-by-step process made in the session, making it unclear as to how I got from point A to point B, and did not go in to further details about why. I was also unable to attend the first workshop hosted by Midnight Gifts which is a bit of a shame as I would have really enjoyed learning more about him and his creative process. For other workshops hosted by Laura Sheldon and Livetales, there was a considerable amount of detail and visuals to go with which I should have really shown in all workshops.

The competitions and live briefs we took part in were a lot of fun and fairly straight forward to get an idea of what needed to be done.

Starting with Pictoplasma's Rabbits Reloaded:


The brief for this unit to create a rabbit of my own choosing and submit it on to the Pictoplasma website. I had many different scribblings in my sketchbook of what I could possibly develop further on a digital format but narrowed it down to four rabbits. I was quite proud of the work I produced for this and found it to be very straight forward with no research requirements (aside from the minimal amount I did on how to actually draw rabbit proportions).


I felt like out of the four produced that the last one was the most unique and gave the character a bit more character compared to the rest and decided to make her my rabbit for entry.


I feel that for this competition my development was not nearly as limited as it has been for my Tangled Tales entries:



Whilst I did enjoy working to make something for the Cheltenham Illustration Awards, I feel that the lack of development and experimentation made towards the final pieces hindered some more diverse looking outcomes. I think it is the development during this competition that has really let me down, giving very half-assed documentation to even detail choices (or the lack of them). Limited research was also an underlying issue of why my experimentation and development has been very unprofessional and lastly the distractions from outside college that I did not address sooner. 


Artists researched were Vince Low and Nester Fomentera who both display some very intricate and unique approaches to their linework. I only did one experiment with Formentera's style before I decided to call quits on pursuing a style like his.



When printed, I noticed that all three final pieces were giving off some very obvious pixelation that I had not even noticed during the making. Because I did not notice during the process I cannot answer why this occurred or where the pixelation came from during this time but it is my own fault for not going back and fixing these errors as soon as I seen them but instead left them appearing extremely unflattering.

Had I approached Tangled Tales with the same enthusiasm as I had for the Rabbits Reloaded I would have made something I could be proud of for once.

In conclusion, I found this unit very enjoyable and very informative. Getting a glimpse of the outside world via other peoples backgrounds really spurred on a new motivation and excitement for me to get out in to the real world and start making something of myself, however, I feel that this excitement and drive needs to be shown in my coursework first. 

SWOT

Strengths:
  • Attended all but one of the workshops
  • Completed write-ups summarising workshops
  • Various concepts and ideas for Rabbits Reloaded
  • Submitted to both competitions
  • Learned how to use the riso
  • Learned how to make a small zine
Weaknesses:
  • Very effortless approach to Tangled Tales
  • Next to no development for Tangled Tales
  • Very limited research for Tangled Tales
  • Very poor documentation overall
  • Very poor standard of work overall
Opportunities:
  • Making a realistic timeplan
  • Spend an hour a day doing coursework as soon as issued the brief
  • Take more pictures throughout workshops and lessons for documentation
  • Using spider diagrams to branch out more ideas and artist influences
  • Find a special time to update all social media to update
Threats:
  • Poor time management
  • Poor documentation to show I completed a task
  • Lack of development and experimentation
  • Lack of research to influence development
  • Lack of communication and confidence to tell tutor when struggling
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